绫, 罗, silk, satin, brocade, enamel, enamel, gauze... A woven silk woven into the "coat of the Chinese", the piece of silk glows charming.
The "Silk Memory - China Silk Silk Embroidery and National Intangible Cultural Heritage Project" jointly sponsored by the Department of Non-material Cultural Heritage of the Ministry of Culture, the National Library and the China Silk Museum, was recently held at the National Library. The audience will learn about the history, variety and development of silk, review the long-lived silkworm life, and taste the beauty of art created on silk. The exhibition will last until February 16.
Long-term "Mo Shang Sang"
China is the first country in the world to start silkworm breeding and inventing silk weaving skills. As early as 3000 BC, Chinese ancestors had successfully domesticated wild silkworms and used silk to weave cloth.
This "silk memory" traces the source and pulls people back to the years of mulberry farming. Into the first floor exhibition hall, a mulberry cut, a few baskets of silkworm cocoons, different styles of looms, these with the "homesickness" of the real thing, the process of silkworm breeding, silking knots, silk silk production suddenly lived up. The “Dahualou Loom†on the second floor lobby is particularly eye-catching. The looms are 5.6 meters long, 4 meters high and 1.4 meters wide. They are made up of 1924 parts. Before that, the robes were specially made for the emperors of Yuan, Ming and Qing, and they are now used to make Yunjin.
The exhibition site is full of the literature of the two exhibition halls, and the records of the silkworms from the Spring and Autumn Period to the Ming and Qing Dynasties are presented one by one. According to reports, the exhibition has exhibited more than 300 pieces of physical exhibits such as silk and literature, including more than 200 kinds of literature. There are many types of documents, including calligraphy, history books, agricultural books, folklore, poetry, and novels. In terms of content, all aspects of silkworm embroidery techniques, such as origin, variety, sericulture skills, and loom innovations, are presented in detail.
Fresh "non-legacy"
A round of wooden hand-twisted silk car turned a few turns, soaked in the silk full of silkworm cocoons. Surrounded by filaments, the shuttle is interspersed, and the colorful silk is extended. Suzhou embroidery, Nanjing Yunjin, Xihu silk umbrella, Xiang embroidery, silk weaving (Ji Lihu silk hand-made craftsmanship), Xinjiang Uygur Aidelai silk weaving and dyeing skills, Guizhou batik skills and other seven national-level non-legacy project representative inheritors, Demonstrate skills in the field and interact with the audience.
The work of Su Hui's inheritor Yao Huifen's "Si Mi Tu" was collected by the British Museum in March 2013. This time she brought the re-embroidered "Si Mi Tu" to the National Library Collection. After a passionate audience finally retired, she walked over and talked with Liu Jianxin, the Xiangxiu inheritor who was invited to participate in the show. The materials and embroideries of different regions have made the two embroidered women have a "professional" topic. Yao Huifen said: "This kind of communication opportunity is very rare."
National Library Director Zhou Heping introduced that in order to cooperate with the exhibition, the National Library also launched the documentary resource construction of the Chinese memory project "Silk Silk Embroidery Special Topics". The project team went to Suzhou, Nanjing, Huzhou and other places to collect image data on 11 non-legacy items related to silk weaving, and conducted oral history interviews with 14 national inheritors and 5 provincial inheritors. Received a video resource with a total duration of more than 300 hours. The video is looped through the exhibition hall, allowing the audience to gain an in-depth understanding of each non-skill technique.
Stylish modern design
The exhibition is not limited to the general introduction to tradition and history, but also includes a modern design of silk.
The color digital brocade painting is woven by high-density full-image simulation color silk weaving technology, which comprehensively utilizes various high-tech technologies such as computer technology, graphic image, artificial intelligence and electronic jacquard faucet and new looms. The color is bright and the stitches are delicate. He won the second prize of the National Technology Invention Award. The silk dress of designer Wu Haiyan shows the gray, white and gray landscape wonders in Fuchun Mountain Residence in the form of inkjet. The Beijing Olympic Games award-winning dress designer Guo Pei designed the clothing with blue-and-white porcelain as the theme, with white satin as the fabric, embroidered with traditional Chinese dragons, tangled branches and other patterns to highlight the elegant and noble temperament. The winner of the 12th China Fashion Design Award "Golden Top Award", Gang Gang, added the effect of splashing ink on the skirt, the crystal decoration on the shoulder and the heave structure design, and the Chinese clothing is like the lake in the early spring.
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